Plumbiferous Media

I Am Very Far - Okkervil River

May 22nd 2011
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I Am Very Far - Okkervil RiverOkkervil River
I Am Very Far
Score: 93








Three years after the excel­lent The Stand Ins, Okkervil River, founded in Austin in 1998, has released I Am Very Far. Over the years, Okkervil River has proven itself quite capa­ble of mak­ing excel­lent music - but most of their albums have had sig­nif­i­cant low points. The Stand Ins was the first step towards more uni­form excel­lence - and I Am Very Far is an even big­ger step. The group’s newest album is a col­or­ful, care­fully con­structed jour­ney through the musi­cal expe­ri­ences Okkervil River has often hinted at and occa­sion­ally delved into. I Am Very Far is almost cer­tainly Okkervil River’s best album, and it’s no less of a suc­cess con­sid­ered alone.

On I Am Very Far, Okkervil River tends towards steady, solid base­lines that give front­man Will Sheff a strong foun­da­tion for his voice. That’s cer­tainly not to say that Okkervil River’s instru­men­tals don’t have merit by them­selves - quite the oppo­site. They may focus on cre­at­ing a strong back­bone, but they’re also thor­oughly nuanced, in ways that make them both richly dynamic and a plea­sure to lis­ten to. The album seam­lessly moves between the intri­cate but pow­er­ful strum­ming of “Rider” and the ele­gant, con­stantly swelling sound of “Lay of the Last Sur­vivor.” This is not an album that finds a pat­tern and sticks to it. Rather, it’s an album that uses what works best at any given moment, and that’s cer­tainly part of what makes it so grip­ping throughout.

Sheff is an excel­lent vocal­ist, and he’s given - and takes - every oppor­tu­nity to demon­strate it on I Am Very Far. It’s hard to imag­ine a voice that would be bet­ter suited to tell the alter­nately soar­ing and blood-soaked sto­ries of the album, and Sheff’s vocals are cer­tainly well-accompanied, nei­ther over­bear­ing nor drowned in bass. It doesn’t mat­ter if it’s the inten­sity of “Rider“‘s loud­est parts or the care­ful hum Sheff’s voice cre­ates on “Show Your­self.” It sim­ply works, and it’s a plea­sure to lis­ten to.

Okkervil River is, as a gen­eral rule, a reli­able source of engag­ing writ­ing. It’s not sur­pris­ing, then, that I Am Very Far is so well writ­ten. It’s some­times intensely vis­ceral, as the open­ing lines demon­strate: “We watch the sun switch­ing in the sky, off and on / Where our friend stands bleed­ing on the late sum­mer laws / A slicked back bloody black gun­shot to the head / He has fallen in the val­ley of the rock and roll dead.” Other times, it’s qui­eter but no less grip­ping. It’s clear that as much atten­tion has been paid to the sound of the words as to their con­tent, as Sheff uses the tonal qual­ity of his words to cre­ate lines like “Wan White Shadow Waltz stirs, sput­ters and stalls / Then wakes, wavers and walks right through her prison walls,” cre­at­ing an abstract and yet oddly clear image that simul­ta­ne­ously sounds fantastic.

I Am Very Far is, quite sim­ply, an excel­lent album. Okkervil River has man­aged to take all of its strengths - Will Sheff’s voice, inspired writ­ing, and rich instru­men­tals - and dis­till them into an work that brings each of those parts into clear focus. I Am Very Far is a suc­cess not only for Okkervil River but for the genre as a whole. It’s an emo­tion­ally charged, thor­oughly imag­i­na­tive explo­ration of what works, and more impor­tantly what is enjoy­able. It’s an album that deserves to be cel­e­brated - and one for which Okkervil River deserves praise.


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