Plumbiferous Media

Shame, Shame - Dr. Dog

Apr 11th 2010
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Shame, Shame - Dr. DogDr. Dog
Shame, Shame
Score: 78








Psych-rock band Dr. Dog released their sixth album, Shame, Shame on the 6th. With Shame, Shame, Dr. Dog takes the classic-rock stylings that have defined its music and devel­ops them into a more unique style, cre­at­ing an album that is often if not always successful.

Dr. Dog’s Toby Lea­man and Scott McMicken, who share lead vocal duties on Shame, Shame (as well as on most of Dr. Dog’s pre­vi­ous work), stick with a spe­cific classic-rock vocal style through the album - but they know what they’re doing. Both prove them­selves experts at evok­ing the 60s vibe the band exudes, not just in their tone, but in the lit­tle things - bits of empha­sis and bits of tone, like the strained, gen­uine way “Was it a dream? / I wouldn’t know” is sung on “Sta­tion.” The band also uses har­mony to great effect, cre­at­ing a rich vocal ele­ment to the tracks where it appears. How­ever, as a result of the band’s focus on a cer­tain vocal style, the less-engaging tracks can get a bit tire­some by the end, which only com­pounds as it hap­pens on sub­se­quent tracks.

Dr. Dog largely eschews com­plex lyrics in favor of the con­ver­sa­tional: “I can’t just sit around and wait / Sit around and wait for you / Nah, just another cup of cof­fee / I’ll sit around and wait for you.” While this at some points lessens the weight of the music, when, on bet­ter tracks and com­bined with Dr. Dog’s light tone, it works sur­pris­ingly well, and so the likes of “Later” (the source of said wait­ing) remain inter­est­ing throughout.

Dr. Dog uses fairly sim­ple instru­men­tals, com­bined with a slight lo-fi aes­thetic that helps to dis­tin­guish their sound while aid­ing the band’s goal of build­ing their own sort of music. Strong per­cus­sion is com­bined with gui­tar and key­board, both of which do a good job match­ing the tone of the vocals, allow­ing the music to flow as the band seems to have intended. Occa­sional issues crop up with tracks that go on just a bit too long, such that they cease to be much more but repet­i­tive, but when most tracks work well (at least for the major­ity of their length), this is gen­er­ally excusable.

Though Shame, Shame suf­fers from occa­sional lacks of diver­sity, Dr. Dog gen­er­ally uses the com­bi­na­tion of its var­i­ous influ­ences and its own cre­ativ­ity well. At its best, Shame, Shame is an inter­est­ing album, fit­ting quite well into the musi­cal mold Dr. Dog has pre­pared for it. At its worst, the album lapses into rep­e­ti­tion and occa­sion­ally begins to lull the lis­tener to sleep - but, as it never gets any worse than that, Shame, Shame remains gen­er­ally strong.


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